Tag Archives: England

Bishopsgate Lost Fountain

Location: London, England

This post is related to a ‘lost’ drinking fountain once located in the area of Bishopsgate in London. There were several drinking fountains located near or on the railings of St. Botolph church, and two of them were donated by Charles Gilpin M.P.

A record sourced from Historic England listing 1359170: Drinking Fountain 1866; 2 stone piers flanking entrance to churchyard from Bishopsgate. Stone with pink granite bands and bowls beneath niches decorated with masks. Brass fittings. South fountain reads “The Gift of the Churchwardens 1866” on side elevation. North fountain reads “The Gift of C Gilpin Esq MP. 1866”

The cast iron drinking fountain which no longer exists  was located in close proximity to the parish church of St Boltoph (I have been unable to discover the specific location). It was presented by Mr. Charles Gilpin M.P. on Wed 11thJuly 1860 to the ward of Bishopsgate in which he resided. Mr. Metcalfe Hopgood of the Common Council took the first draught of water and proposed the health of her Majesty Queen Victoria.

Gilpin was a Quaker and a publisher who was involved in radical politics. He campaigned for parliamentary, economic and land reform as well as the abolition of slavery and capital punishment. The gift of a drinking fountain to encourage the abstinence of alcohol and give an alternative to the thirsty passersby was an acknowledgment to his membership in the Temperance movement which he joined as a youth.

The fountain was cast by Coalbrookdale Company of Shropshire from a design by William and Thomas Wills of Suffolk. The brothers were noted sculptors in the mid 19th. century and best known for their designs of drinking fountains.

1347420-engraving-depicting-the-drinking-fountain-in-bishopsgate

The cast iron frame was in the form of a stylized shield with curved and winged edges. The top part of the shield, in the form of an ogee arch, contained a sculpture of winged cherubs resting upon clouds. The design offered a legend beneath the cherub, He Opened The Rock And / The Waters Gushed Out / They Ran In The Dry Places / Like A River / Psalm CV 41.

A recessed round arch contained the drinking well and the name of the sculptors, Wills Brothers Sculpt London. Water was dispersed into the basin via a spigot concealed behind a clam shell decoration situated in the interior of the arch. Two cups were suspended on chains on each side of the arch. The foundry’s name is engraved on the edge of the basin, Coalbrookdale Co.

Each side of the arch was decorated with reeds and foliage. On the left side was a robed male figure with long beard standing contrapposto. In his left hand was a rod resting on the cusp of the arch. This was a depiction of Moses striking the rock to release gushing water. On the right of the drinking well was the robed figure of a woman offering a basin of water to a naked child.

Below is an example of the same design still in existence in the town of Hythe in Kent.

wikipedia

Circa 2012. Creative Commons License, Nilfanion. Source: https://commons.wikimedia.org/wiki/File:Water_fountain_in_Hythe.jpg

Glossary:

  • Contrapposto, stance where one leg bears the weight and the other leg is relaxed
  • Ogee arch, an arch with a concave apex

 

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Hebburn Park Fountain

Location: Hebburn, Tyne and Wear, England

20 acres of land surrounding Hebburn Hall was used as a public park from 1897 until 1920. The land south of the Hall was then gifted to the town by Ralph Carr Ellison as a gesture after the safe return of his son from World War One. It was renamed Hebburn Park, and later renamed Carr-Ellison Park.

A drinking fountain erected at a junction of winding paths was still in existence in 1916 as identified on an ordnance survey map from 1916-17. It is unknown when or why it was removed.

With little historical information on the fountain the installation date is unknown, and therefore the manufacturer is uncertain. The original design was a Sun Foundry pattern later bought by the Lion Foundry when Sun closed business.

canmore

An example of the same pattern in which the basins are more visible

The fountain (design number 41) was 12 ft 8 ins high and stood on a two tiered square plinth. The central column was decorated with palmette and acanthus relief.

Quatrefoil basins were supported by a square base with chamfered corners. Panels above each basin were decorated with floral relief divided into sections by a compass cross. The centre circle contained a lion mask with self-closing tap from which water spouted.

The capital supported a multi level acroter surmounted by the life size figure of a woman (Greek water carrier) dressed in flowing robes holding an olive branch in her left hand while supporting an urn on her head with her right hand.

Glossary

  • Acanthus, one of the most common plant forms (deeply cut leaves) to make foliage ornament and decoration
  • Acroter, flat base
  • Capital, the top of a column that supports the load bearing down on it
  • Chamfered, a beveled edge connecting two surfaces
  • Compass cross, a cross of equal vertical and horizontal lengths, concentric with and overlaying a circle.
  • Palmette, a decorative motif resembling the fan shaped leaves of a palm tree
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests
  • Quatrefoil, a type of decorative framework consisting of a symmetrical shape which forms the overall outline of four partially-overlapping circles of the same diameter

 

 

 

Glossary:

 


People’s Park Drinking Fountain

Location: Grimsby, Lincolnshire, England

The drinking fountain identified in this blog was located in the People’s Park in Grimsby in the late 19th century and no longer exists. My research uncovered single line references to two drinking fountains within the park; in 1889 a drinking fountain was erected paid for by public subscription; and the erection of a drinking fountain in Grimsby Park on 23 May 1884. Contact made with North East Lincolnshire Council also produced no results.

pinterestGrimsby

Design number 19 was advertised by Walter Macfarlane & Co. to be used as a standalone fountain or placed under a canopy structure. Manufactured by the Saracen Foundry in Glasgow, the 10’ 10” structure was seated on an octagonal plinth. It had a wide base with canted corners supporting a circular shaft ornamented with water lilies. Four lion jambs supported four highly decorated quatrefoil basins. The stanchion and central column were decorated with floral relief and projecting acanthus.

The column contained a shield with a dedication inscription, and four consoles protruding from the column to suspend drinking cups on chains. Two elaborate consoles supported lamps. The capital supported the finial, a statue of Samson.

Symbolism was popular in Victorian times. Lions are symbolic of guardianship and Samson is symbolic of strength.

Glossary

  • Acanthus, one of the most common plant forms (deeply cut leaves) to make foliage ornament and decoration
  • Capital, the top of a column that supports the load bearing down on it
  • Canted corner, an angled surface which cuts of a corner
  • Console, a decorative bracket support element
  • Finial, a sculptured ornament fixed to the top of a peak, arch, gable or similar structure
  • Jamb, a projecting vertical post containing sculpture
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests
  • Quatrefoil, a type of decorative framework consisting of a symmetrical shape which forms the overall outline of four partially-overlapping circles of the same diameter
  • Stanchion, an upright bar or post providing support

 


Diamond Jubilee Fountain

Location: Milford Haven, Pembrokeshire, Wales

This drinking fountain was installed in 1897 in commemoration of Queen Victoria’s Diamond Jubilee. It was originally located near the Astoria Cinema in Charles Street. During refurbishment of the cinema, the fountain was relocated and is currently set into a stone pedestal on the walkway to the Town Hall.

The font, casting number 17 (4ft 5 x 2ft 10) from Walter Macfarlane’s catalogue, was manufactured by the Saracen Foundry in Glasgow, Scotland. The design utilizes features of the canopy used in drinking fountain number 8, and is surmounted by a palmette finial. Griffin terminals flank a highly decorated arch outlined with rope and drip fret detail which also encircles a medallion containing a dedication in bas-relief; Erected In The / Sixtieth Year / Of / H.M. / Queen Victoria’s / Reign / 1897. The recessed interior of the arch contains a shell lunette from which a tap once protruded. A single drinking cup on a chain was suspended above a fluted demi-lune basin.

 

Glossary

  • Bas-relief, sculpted material that has been raised from the background to create a slight projection from the surface
  • Demi-lune, half moon or crescent shape
  • Finial, a sculptured ornament fixed to the top of a peak, arch, gable or similar structure
  • Griffin, winged lion denotes vigilance and strength, guards treasure and priceless possessions
  • Lunette, the half-moon shaped space framed by an arch, often containing a window or painting
  • Palmette, a decorative motif resembling the fan shaped leaves of a palm tree
  • Terminal, statue or ornament that stands on a pedestal

Hawthorn Leslie Shipyard Fountain

Location: Hebburn, Tyne and Wear, England

A cast iron drinking fountain for use by shipyard workers was mounted on a wall on Ellison Street at the entrance to the Hawthorn Leslie Shipyard. The fountain identified by me as ‘lost’ because it is no longer visible was actually stolen from the derelict building in 2005.

The fountain was from a design by brothers William and Thomas Wills of Suffolk who were noted sculptors in the mid 19th. century and best known for their designs of drinking fountains. It was manufactured by Emley and Walker of Newcastle. Once recorded as a Grade II historic building it was delisted in 2014.

The cast iron frame is in the form of a stylized shield with curved and winged edges. The top part of the shield, in the form of an ogee arch, contains a sculpture of winged cherubs resting upon clouds. Beneath the cherub is a legend, He Opened The Rock And / The Waters Gushed Out / They Ran In The Dry Places / Like A River / Psalm CV 41.

A recessed round arch contained the drinking well and the name of the sculptors, Wills Brothers Sculpt London. Water was dispersed into the basin via a spigot concealed behind a clam shell decoration situated in the interior of the arch.

Each side of the arch is decorated with reeds and foliage. On the left side is a robed male figure with long beard standing contrapposto. In his left hand is a rod resting on the cusp of the arch. This is a depiction of Moses striking the rock to release gushing water. On the right of the drinking well is the robed figure of a woman offering a basin of water to a naked child.

Glossary:

  • Contrapposto, stance where one leg bears the weight and the other leg is relaxed
  • Ogee arch, an arch with a concave apex

Melton Mowbray Golden Jubilee Fountain

Location: Melton Mowbray, Leicestershire, England

I have been unable to find any images of this drinking fountain; however, according to the Record Office for Leicestershire, Leicester and Rutland the design would appear to be a modification of #27 from the catalogue of George Smith & Co. described as a drinking fountain and lamp combined. It was installed on the footpath at the Market Place in Melton Mowbray to commemorate Queen Victoria’s Golden Jubilee in 1887.

Sun_ 27

Manufactured at the Sun Foundry in Glasgow, the installation was completed by local companies, C. Barnes, builder; John Anderson, plumber & glazier; and the Melton Mowbray Gas Light and Coke Company. The pump was unpopular with local tradesmen who complained that children played in the water and threw water on the shop windows. It was removed to a local park named Play Close and later recycled during World War II to assist in the manufacture of armaments.

This octagonal shaped drinking fountain was a single pedestal with attic base that hosted a small trough at ground level for the use of dogs. Inset arched panels offered space for dedications, and the proposed design below includes a bas-relief profile of Queen Victoria. Two demi-lune basins were offered with drinking cups suspended by chains. Entablature with bolt consoles sat beneath an ogee cupola with panels of fleur de lys motif. The finial was a six sided glass pane lantern capped with a ball and spike finial. The image below appears to show a dedication inscribed on the base.

melton mowbray_jubileefountain

Glossary

  • Attic base, a column base with two rings
  • Bas-relief, sculpted material that has been raised from the background to create a slight projection from the surface
  • Console, a decorative bracket support element
  • Cupola, a small, domed structure on top of a roof.
  • Entablature, moldings and bands which lie horizontally above columns
  • Finial, a sculptured ornament fixed to the top of a peak, arch, gable or similar structure
  • Ogee, curve with a concave

Hedgemead Park Fountain

Location: Bath, Somerset, England

Hedgemead Park, situated below Camden Crescent, was the scene of a landslide in the 1870s in which houses collapsed. The land remained derelict for many years until the city created a plan to transform it into a park. Designed by T.B. Silcock, it was engineered to prevent future landslides and formally opened in 1889.

A drinking fountain was erected around the same time possibly 1890. Seated on a triple tiered octagonal plinth it was manufactured at Walter Macfarlane’s Saracen Foundry in Glasgow. The drinking fountain, 10’ 10” high, is a customized structure created with font number 18; a wide base with canted corners on which is set a circular shaft ornamented with water lilies. Four lion jambs support four highly decorated quatrefoil basins. The stanchion and central column are decorated with projecting acanthus leaves and relief of willow leaves and berries. Column number 32 with four consoles protruding from the column originally suspended drinking cups on chains. The capital supports an octagonal ogee pedestal surmounted by an eagle with outstretched wings.

Symbolism was popular in Victorian times. Lions were symbolic of guardianship, and eagles represented salvation.

The drinking fountain, although no longer functioning, was recorded as a Grade II historic building on 15 October 2010.

Glossary

  • Acanthus, one of the most common plant forms (deeply cut leaves) to make foliage ornament and decoration
  • Canted corner, an angled surface which cuts of a corner
  • Capital, the top of a column that supports the load bearing down on it
  • Console, a decorative bracket support element
  • Jamb, a projecting vertical post containing sculpture
  • Ogee, curve with a concave
  • Pedestal, an architectural support for a column or statue
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests
  • Quatrefoil, a type of decorative framework consisting of a symmetrical shape which forms the overall outline of four partially-overlapping circles of the same diameter
  • Stanchion, an upright bar or post providing support