Monthly Archives: May 2014

Dalmuir Fountain

Location: Glasgow, Scotland

Dalmuir Park, at Clydebank & Erskine in Glasgow, was opened in 1906. The following year a canopied drinking fountain was donated by Provost Samuel Leckie. Renovation of the park in 2012 included restoration of the fountain by JPS Restoration & Property Services. Funding for the project was shared by the Heritage Lottery Fund and West Dunbartonshire Counci.

Design number 20, an elaborate 18 feet by 4 feet fountain, was purchased from Walter Macfarlane & Co, and manufactured at the Saracen Foundry, Possilpark, Glasgow, Scotland. Seated on a double octagonal plinth, the open filigree canopy is supported by eight columns with griffin terminals which are positioned over capitals with foliage frieze above square bases.

The highly decorated cusped arches were trimmed with rope mouldings. Cartouches contained within each lunette displayed alternate images of cranes and swans and offered shields for memorial. The Coat of Arms of the Burgh of Clydebank is displayed. On each side arch faceplates provided a flat surface for an inscription using raised metal letters; often the useful monition, Keep the pavement dry. Civic virtues such as temperance were often extolled in inscriptions on drinking fountains.

Doves and flowers offer decorative relief on the circular, ribbed dome. The internal capitals contain flowers, lion mascarons area placed on internal lunettes, and statues of owls sit on enlarged column heads. The structure is surmounted with an eagle finial.

Under the canopy stands the font (design number 18.) A circular shaft, ornamented with water lilies, rests on a wide base with canted corners. Four lion jambs support four highly decorated quatrefoil basins. Rising from the centre is a pyramid shaped stanchion decorated with swan and bird decoration. A kylix-shaped lamp terminal with four consoles offer drinking cups suspended by chains.

Symbolism was popular in Victorian times. Griffins are symbolic of guardians of priceless possessions; lions are symbolic of guardianship; owls are symbolic of guardians of the afterlife, and eagles represent immortality.

Glossary

  • Canted corner, an angled surface which cuts of a corner
  • Capital, the top of a column that supports the load bearing down on it
  • Cartouche, a structure or figure, often in the shape of an oval shield or oblong scroll, used as an architectural or graphic ornament or to bear a design or inscription
  • Console, a decorative bracket support element Filigree, fine ornamental work
  • Cusped Arch, the point of intersection of lobed or scalloped forms
  • Finial, a sculptured ornament fixed to the top of a peak, arch, gable or similar structure
  • Frieze, the horizontal part of a classical moulding just below the cornice, often decorated with carvings
  • Griffin, winged lion denotes vigilance and strength, guards treasure and priceless possessions
  • Jamb, a projecting vertical post containing sculpture
  • Kylix, a Grecian style drinking cup
  • Lunette, the half-moon shaped space framed by an arch, often containing a window or painting
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests
  • Quatrefoil, a type of decorative framework consisting of a symmetrical shape which forms the overall outline of four partially-overlapping circles of the same diameter
  • Stanchion, upright bar or post providing support
  • Terminal, statue or ornament that stands on a pedestal

 


Billany Memorial Fountain

In 1839 Nieles Boynton Billany was indentured to a seven year term as a shipwright and carpenter with shipbuilder Thomas Humphrey. He became a freeman in 1847 giving him the right to vote and triggering a life in politics. After his death in 1896 a memorial fund was created with the intention of creating a memorial fountain. A dedication plaque on this lost fountain was inscribed: Erected in memory of / Neiles Boynton Billany 1826 – 1896 / Freeman of the city of Kingston upon Hull / and Tireless Worker against Injustice.

The drinking fountain was erected in 1897 at the entrance to West Park, Hull, Yorkshire, England, and two days later it was seriously damaged, and the drinking cup and chain were stolen. A reward was offered for the apprehension of the culprit.

The fountain was damaged during World War Two and after further damage by a reversing vehicle during a blackout, it was removed from the West Park.

The canopied drinking fountain was design number 4 from David King & Sons Limited who owned the Keppoch Ironworks in Possilpark, Glasgow, Scotland. It was seated on a two tiered square plinth. Four columns with moulded base and spiral fluted shafts supported a solid ribbed domed with fish scale design. Eight consoles of acanthus were located at the base of each scrolled rib. The highly decorated fret detail over each arch hosted a dove ornament. The finial was a tapered extension with two spheres.

Under the canopy stood the font, an octagonal base decorated with rosettes, and egg and dart frieze. The wide basin was supported by a spiral fluted pedestal decorated with alternate panels of rosettes. The tall finial contained a vase with a tapering shaft from which four ornamental scroll consoles supported drinking cups suspended by chains.

Glossary

  • Acanthus, one of the most common plant forms (deeply cut leaves) to make foliage ornament and decoration
  • Console: a decorative bracket support element
  • Fret, running or repeated ornament
  • Finial, a sculptured ornament fixed to the top of a peak, arch, gable or similar structure
  • Pedestal, an architectural support for a column or statue
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests
  • Rosette, a round stylized flower design
  • Terminal, statue or ornament that stands on a pedestal

 


Barcelona Caratyds Fountain

 

In the 19th century Sir Richard Wallace was a wealthy English art collector and philanthropist who lived in France. When the Franco Prussian war damaged many of the aqueducts in Paris there remained little access to clean water for many of the most needy Parisians. His solution to this problem was the erection of public drinking fountains.

The column fountain was designed by French sculptor Charles A. Lebourg in 1872 with four caratyds supporting a cupola. Richard Wallace purchased hundreds of fountains which he donated to major cities throughout the world. Twelve Wallace Fountains were donated to Barcelona on the occasion of the 1888 Universal Exhibition. Only two of the original remain at the Rambla in front of the Wax Museum; and in Gran Via de les Corts Catalanes with Paseo de Gràcia. Other Wallace fountains located throughout the city are replicas cast from the original molds.

The fountains were originally forest green with a cross shaped plinth from which the pedestal arises. An elaborate console decorated with a scallop shell from which a string of pearls flows separates four panels on which the image of a water serpent is coiled around a trident. The trident is associated with the mythological Poseidon who struck the earth and water sprung up. A scallop is symbolic of baptism and fertility, and pearls represent purity and wisdom. One panel contains an inscription above the Barcelona City crest: Sociedad / General / de / Aquas / De / Barcelona. Below the crest is an inscription. Agua / Tomada /Directamente / Del / Contador. A cornice contains the name of the designer, Ch.Lebourg SC / 1872.

Four caratytids with raised arms support a fish scale cupola with a fleur de lys on each side; one of which has been affectionately named Vera. The statues in feminine form represent kindness, simplicity, charity and sobriety (at a time when the Temperance Movement was very active.) They also represent the 4 seasons: Simplicity symbolizes spring, Charity: summer, Sobriety: autumn and Kindness: winter. The statues differ from each other in several other ways: Simplicity and Sobriety have their eyes closed; whereas the eyes of Kindness and Charity are open. They are also different in the position of the knee and feet, or by the manner in which their tunic is knotted at the bodice.

A stream of water originally descended from the interior of the dome into a basin. Tin cups were chained to the fountains until 1952 when public hygiene became a more prevalent social issue. Water is now released with the press of a button into a shell shaped basin. The four dolphins with entwined tails at the apex are a symbolic protector of all things related to water .

Glossary

  • Caryatid, a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head
  • Cornice, a molding or ornamentation that projects from the top of a building
  • Cupola, a small, domed structure on top of a roof.
  • Plinth, flat base usually projecting, upon which a pedestal, wall or column rests.

Image Sources

http://commons.wikimedia.org/wiki/Category:Wallace_fountains_in_Eixample_(Barcelona)

https://www.flickr.com/photos/58789412@N00/4463522258/


Blind Sam Fountain

Location: Holt, Norfolk, England

On the corner of Norwich Road and High Street (Obelisk plain) in Holt, stands a memorial fountain erected in 1887 to commemorate Queen Victoria’s Jubilee. The fountain was surmounted with a gas lamp which was frequently not in service due to a sporadic gas supply. The locals therefore nicknamed it, Blind Sam.

It was originally situated in Market Place and relocated in 1921 in deference to a WW1 War Memorial to be situated on the site.

Manufactured at the Saracen Foundry in Glasgow drinking fountain number 45 from Walter Macfarlane’s catalogue stands 15 feet high. A square pedestal with Egyptian patterned frieze designed by Alexander ‘Greek” Thomson, offered demi-lune basins on four sides with troughs for dogs at ground level. Spigots within the geometric pattern released water into the basins, and drinking cups on chains were suspended from projecting tendrils.

The griffin feet capitals support a four sided central stanchion heavily decorated with palmette and acanthus relief on three sides. The fourth side contains a plaque inscribed, The 1887 Queen Victoria Jubilee Column and Lamp, removed from Holt Market Place in 1920 to make way for the 1914/18 war memorial. The replica lantern and base by Tony Sizeland was commissioned by Holt History Group and Holt Town Council in 1992.

A fluted column with attic base arises from a highly decorated acroter. The structure is capped with a central lamp, a crown and finial. Roofed in with scales of opal glass the lantern cast the light downwards (design number 223). The lamp originally lit by gas is encircled by flowers and a crown containing Maltese crosses surmounted by a trio of spiked orbs.

The structure was listed a grade II historic building in 1983 and was restored in 1992 with funding from the Holt History Group and Holt Town Council.

 

Glossary

  • Acanthus, one of the most common plant forms (deeply cut leaves) to make foliage ornament and decoration
  • Acroter, flat base
  • Attic base, a column base with two rings
  • Capital: The top of a column that supports the load bearing down on it
  • Demi-lune, half moon or crescent shape
  • Fluted, a long rounded groove decorating the shaft of a column
  • Griffin, winged lion denotes vigilance and strength, guards treasure and priceless possessions
  • Palmette, a decorative motif resembling the fan shaped leaves of a palm tree
  • Pedestal, an architectural support for a column or statue
  • Spigot, a device that controls the flow of water (tap)
  • Stanchion, an upright bar or post providing support
  • Terminal, statue or ornament that stands on a pedestal